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Just like the term "blueprint," the design aesthetic at Blueprint Coffee is very raw, with a communal table born out of an only slightly altered slab of Oregon maple, plus other woods throughout rescued from an Illinois barn. White-washed exposed-brick walls and hung flower boxes—brimming with greenery—bring the outdoors in at Kuppi Coffee Company, while, in one area, a black leather sofa and round cocktail tables of richly grained wood create a cozy spot to linger. On warm days, the outdoor patio at Zendo is open for seating, marked by a colorful mural and covered by sailcloth.

The minimalist interior—white-washed brick walls and concrete floors—is pretty sweet, too. Track lighting and rotating art exhibits also for sale spice up what could have been a drab brick interior at this coffee shop in downtown Fargo. Less is more at Hoboken Coffee Roasters , which means functional art like the mustard-yellow Diedrich roaster and changeable-letter sign serve as a design contrast to white subway tile and naked bulbs suspended from the ceiling on chains, inside a former car-repair shop. Inspired by Australia, Sydney in downtown Providence is on trend with its avocado toast but also its exposed-bulb orb lighting, white-washed wood flooring, and topiaries.

Salvaged wood at the barista counter, exposed-brick walls, and a shipping pallet hovering below the ceiling provide an industrial vibe at Pure Bean, tucked into a former creamery built in Painted steel, perforated steel, and quartz lend an urban edge. White subway tile rounds out the style theme. Crafted from barn wood and antique metal, with pretty sky-blue paint trim, Nomad Coffee fits right into the tiny-house trend given its Go-Tag-A-Long travel-trailer shell. Competition is steep in this coffee-centric city, but Mr.

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Photo: Courtesy of Coat Check Coffee. Photo: Courtesy of Horizon Line Coffee. Photo: Courtesy of Heine Brothers. Photo: Courtesy of Mammoth Espresso. Photo: Courtesy of 44 North Coffee. Photo: Courtesy of Keffa Coffee Lab. Photo: Courtesy of Peace Coffee. Photo: Courtesy of Steampunk Coffee Roasters. Wright was born June 8, , in Richland Center, Wisconsin.

His father, William Carey Wright, was a preacher and a musician. Wright's family moved frequently during his early years, living in Rhode Island, Massachusetts and Iowa before settling in Madison, Wisconsin, when Wright was 12 years old. He spent his summers with his mother's family in Spring Green, falling in love with the Wisconsin landscape he explored as a boy. In , the year Wright graduated from high school in Madison, his parents divorced and his father moved away, never to be heard from again.

That year, Wright enrolled at the University of Wisconsin at Madison to study civil engineering. To pay his tuition and help support his family, he worked for the dean of the engineering department and assisted the acclaimed architect Joseph Silsbee with the construction of the Unity Chapel.

The experience convinced Wright that he wanted to become an architect, and in he dropped out of school to go to work for Silsbee in Chicago. A year later, Wright began an apprenticeship with the Chicago architectural firm of Adler and Sullivan, working directly under Louis Sullivan, the great American architect best known as "the father of skyscrapers. Wright worked for Sullivan until , when he breached their contract by accepting private commissions to design homes and the two parted ways.

In , a year after he began working for Louis Sullivan, the year-old Wright married a year-old woman named Catherine Tobin, and they eventually had six children together. Their home in the Oak Park suburb of Chicago, now known as the Frank Lloyd Wright home and studio, is considered his first architectural masterpiece.

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It was there that Wright established his own architectural practice upon leaving Adler and Sullivan in That same year, he designed the Winslow House in River Forest, which with its horizontal emphasis and expansive, open interior spaces is the first example of Wright's revolutionary style, later dubbed "organic architecture. Over the next several years, Wright designed a series of residences and public buildings that became known as the leading examples of the "Prairie School" of architecture.

These were single-story homes with low, pitched roofs and long rows of casement windows, employing only locally available materials and wood that was always unstained and unpainted, emphasizing its natural beauty. While such works made Wright a celebrity and his work became the subject of much acclaim in Europe, he remained relatively unknown outside of architectural circles in the United States.

In , after 20 years of marriage, Wright suddenly abandoned his wife, children and practice and moved to Germany with a woman named Mamah Borthwick Cheney, the wife of a client.

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In , Wright and Cheney returned to the United States, and Wright designed them a home on the land of his maternal ancestors in Spring Green, Wisconsin. Named Taliesin, Welsh for "shining brow," it was one of the most acclaimed works of his life. However, tragedy struck in when a deranged servant set fire to the house, burning it to the ground and killing Cheney and six others.

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Although Wright was devastated by the loss of his lover and home, he immediately began rebuilding Taliesin to, in his own words, "wipe the scar from the hill. He spent the next seven years on the project, a beautiful and revolutionary building that Wright claimed was "earthquake-proof. Wright's Imperial Hotel was the city's only large structure to survive the earthquake intact.

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Returning to the United States, he married a sculptor named Miriam Noel in ; they stayed together for four years before divorcing in In another fire, this one caused by an electrical problem, destroyed Taliesin, forcing him to rebuild it once again. With architectural commissions grinding to a halt in the early s due to the Great Depression, Wright dedicated himself to writing and teaching.

In , he published An Autobiography and The Disappearing City , both of which have become cornerstones of architectural literature. That same year he founded the Taliesin Fellowship, an immersive architectural school based out of his own home and studio. Five years later, he and his apprentices began work on "Taliesin West," a residence and studio in Arizona that housed the Taliesin Fellowship during the winter months. By the mids, approaching 70 years of age, Wright appeared to have peacefully retired to running his Taliesin Fellowship before suddenly bursting back onto the public stage to design many of the greatest buildings of his life.

Wright announced his return to the profession in dramatic fashion in with Fallingwater, a residence for Pittsburgh's acclaimed Kaufmann family. Shockingly original and astonishingly beautiful, Fallingwater is marked by a series of cantilevered balconies and terraces constructed atop a waterfall in rural southwestern Pennsylvania.